Showing posts with label Lost. Show all posts
Showing posts with label Lost. Show all posts

Tuesday, June 1, 2010

OK, Let's Talk About That "Lost" Finale.

Now that I've had some time to process everything (and a few things to drink), and you've had at least a week to watch it once or twice, here are my thoughts. Vast galloping herds of unmarked SPOILERS ahead. You've been warned.

I liked it a lot.

I didn't *love* it. I'm having a slight case of "That's not what I would have done!"-ness. (Let us henceforth call this odd sense of fandom-entitlement "The 'Matrix Reloaded' Effect" [though I was fine with that ending too], or even better, based on Neil Gaiman's wonderful essay on the subject, The "George R.R. Martin is not Working for You" Problem). But I really liked it.

Part of the reason why I really liked this finale is simply because it made a lot of people angry. This is a show that never did the expected or "easy" things; characters could be downright unlikeable for large swathes of time, story arcs went down unexpected paths, weird stuff was introduced and never again addressed (there is now a small, steaming crater now where TV Tropes' Big Lipped Alligator Moment page once was.) I will admit, I am human and I would have liked a few more explanations (no, seriously, why were there so many ancient Egyptian things on the Island, what the hell was going on with Walt, and just what the heck *was* Smokey?) A lot of people said they feel as though the writers screwed them over by not addressing many of the stranger plot twists and have even started to resent the series as a whole. (Seriously. Take a shot when you run into a comment like, "They didn't address my pet mystery so now the whole series that I have been 100% on board with for longer than most people spend in college sucks and we hates if forevers!") My thinking is, if "screwed over" means six years of terrific television with smart science fiction and some of the best characters I've ever had the pleasure to meet, then I would like to get screwed more often.

That came out wrong... O.o

I like how some people will be debating those final ten minutes for weeks. I like how those final ten minutes are destined to be misinterpreted -- even though, and I don't mean to insult anyone, if you didn't understand what was actually going on there, I am in no position to help you. (Tellingly, a LOT of negative comments online are from people who just watched this last episode out of curiosity or otherwise didn't pay much attention to the series as a whole. It's pretty much your own darn fault for not liking it.) I've been on this ride since season two (my curiosity about the series was piqued when I saw the late, lamented "Best Week Ever" summarize the season finale), and I'm going to miss my weekly visits to The Island.

Listen, I was doing fine until around the twenty-five minute mark. Then it got really dusty...

(Oh, by the way, I totally called it. In a manner of speaking.)

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Sketch of the Day! This has nothing to do with "Lost", but it's still funny.

"Fun in the Backyard" Episode 43

Tuesday, May 11, 2010

Ways "Lost" Could End, as Predicted by Anime!

Well, three Anime series and a movie based on one of said series. Here be SPOILERS GALORE! (But no fanart. None. I am not going to draw Jack as a wolf or Locke with an automail arm. No. Just, no.)
We all know this is a series that's not going to end with the old "main character looks into an empty room with a sad smile and closes the door" option. I will make two real predictions here:
1) A lot of fans are going to be really, really upset. May want to give them a break that Monday morning.
2) This series finale will inspir
e essays. Long, long essays.
Now, the three best complete Anime series I've seen (thank you, Netflix) had exactly those kinds of endings, so let's try to use them to predict how "Lost" will end.
Important terminology note before we begin: Borrowing from "Futurama", the "still stuck on Craphole Island" continuity will be known as Universe A, while the "815 landed safely" continuity will be Universe 1.
"Wolf's Rain": Similar in (very) broad strokes to Watership Down, this series ended it's televised run by wrapping up a major conflict, but it didn't conclude the story. This was "fixed" with four episodes that went straight to video, essentially a four-part series finale. The "W.R."-ish Last Episode of "Lost": Every conflict in Universe A is resolved -- but not before everybody dies violently. Jack is the only character left alive, and even then he lies bleeding to death in the bamboo grove. As he slowly passes on (and a ridiculously sad song gradually builds), he gets to watch Craphole Island return to it's pre-crash, pre-Dharma, pre-Jacob and Not-Locke state.
But before the credits role, we get a brief look at Universe 1. All the Universe 1 versions of the Candidates, no matter where they are, suddenly sense something. And then Jack starts running...

Notes: Change a few of the details and I think this is the most likely ending of all. We are in for a bittersweet as hell ending.
"Fullmetal Alchemist": Great series. Probably my overall favorite out of this bunch. Note that we're going with the series ending, and will be ignoring the "Conqueror of Shamballa" movie. Most people do anyway. (Seriously, Fritz Lang is somehow involved. WTF?). The "F.M.A"-ish Last Episode of "Lost": Sawyer is able to destroy NotLocke after that creepy kid (the one who looks like a possibly older Aaron) shows him NotLocke's weakness. Meanwhile, Jack is killed and somehow "wakes up" as Universe 1 Jack. Desmond is conveniently there to explain what's up. In the end, all the Losties in Universe A mentally merge with their Universe 1 counterparts -- and, as Desmond comments, none of them remember a thing about their Craphole Island experiences. And Jack? He's stuck in Universe A, and starts on the search for a way to cross over... Notes: This may be the best integration of the two Universes. And I'd be surprised if Jack gets off the Island.
"Neon Genesis Evangelion": For the two or three of you who have never heard of this series, it is essentially to the original English-language dub of "Power Rangers" what "Lost" is to "Gilligan's Island".The "N.G.E."-ish Last Episode of "Lost": Forget the various mysteries of the Island, anything about Universe 1, who or what Jacob and NotLocke are, which characters end up on what side, or anything like that. None of that gets resolved. Instead, Jack gets to talk through his daddy issues with some other people. The end.
Notes: You KNOW we're going to hear something about Jack's father one more time for the road. Why not base the whole finale on that and really get it overwith?
The main case against this ending: Carlton and Damon probably enjoy breathing.
"End of Evangelion": After the uproar over "N.G.E."'s... underwhelming series finale, the producers got together again and made this movie. (It was originally how they had intended to end the series, but time and money were uncooperative.) This new ending was.... ye gods, it was somethin'...The "E.o.E."-ish Last Episode of "Lost": The main conflicts of the show are, thankfully, resolved... and then some angelic beings in the form of Sayid come and hug everyone in both Universes, causing them all to dissolve into Slusho. In the end, Universe A Jack finds himself on a desolate shoreline somewhere doing... something inappropriate... to Universe 1 Locke. Locke compares this situation to getting his period.
Notes: Yeah...

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Sketch of the day!
Arrrrrrgh. I was just curious. :(
This will be a Blogger exclusive, as I don't want to stain either online portfolio with this. Ladies and gentlemen, I give you Sadbeard McJackwolf:



And since I am the kind of person who thinks that any horrible art thing worth doing is worth doing all the way (and Jackwolf needed some friends), here is The Worst Thing Ever:



This is essentially an amalgamation of all the worst kinds of fanart I've ever seen.
Disclaimer: No, I do not for a second regret joining Deviant Art; I've met lots of cool people there and made some great new contacts. But every so often you run into something like this and...
The thing about DA is this: Think about all the art you did in junior high that you loved at the time, then went back to look at it and said, quote, 😭 . OK? Now consider: back when you and I (presuming we're around the same age, dear reader) were just starting out as artists, our embarrassing-in-hindsight artwork was safely hidden in our Sketchbooks, journals, math notebooks, and so on, where nobody else could see them. These kids have their old shames on display for the whole wide web to see. Dang.
So, anyway, "Lost"!

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I am afraid my brain has turned into mush lately. Therefore, I completely forgot to post this lovely Mother's Day song:

Tuesday, February 23, 2010

You know, I often wonder what the Olympics were like 1,000 years ago in the land of dragons and vikings...

Yeah. So about those "How to Train Your Dragon" commercials that have so far been ubiquitous during the Winter Olympics.
1) I now no longer want to see this movie. Like, ever. Which is too bad, as I was genuinely intrigued when I read that Chris Sanders was involved.
2) I can tell the announcers hate having to segue from the biathalon or whatever to these commercials.
3) Open letter to Dreamworks. If I ever see a poster or watch a trailer where you remind us that you are the studio that made "Shrek" again, I will... do... *something* ludicrous. Point is, we get it. We know who you are; you can stop reminding us.
4) I read the book How to Train Your Dragon a while back. What the hell book did the writers of this movie read?
5) The dragon is cute. :/

Don't get me wrong; I've been more into the Winter Olympics this year than I have since "Skategate" (ask your mom. Or Wikipedia.) Indeed, most of the commercials they've premiered during the Games have been better than the Superbowl commercials. I love the Coke snowball fight ad.
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I seem to recall that Disney ran an ad or something saying that, if you've never seen "Lost" before, you'll still be able to follow the story. This writer has decided to take this statement on. The result is... it is truly a thing of beauty.

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Sketch Of The day! Yet more Great Backyard Bird Count cuteness!
2.14.10 Sketchbook page

Monday, February 1, 2010

THE FINAL SEASON OF "LOST" STARTS TOMORROW!!!!!!

I am a teeny weeny bit excited about this.

Now I know that a few readers probably don't care, so I won't let my fandom overtake this Art Blog (me talking about art I have made will resume Wednesday. Therizinosaurs will be involved.) I definitely can promise you that I am not and never will become one of these fans.


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Sketch of the Day! Here are some classy monsters.
1.22.10 Sketchbook page

Thursday, August 27, 2009

Another Crazy Theory, This Time Involving His Dark Materials and "Lost".

Originally posted in LaGremlin Land on 11/16/06. Note that this does not take the "Lost" episodes since that date into account. It also does not acknowledge the "Golden Compass" film. (But then again, who does?)

In Which A Fan of Both Philip Pullman's His Dark Materials Trilogy and Damon Lindelof/Carlton Cuse/J.J. Abrams' "Lost" Sets out to Prove That the Two Series are Basically The Same Thing

"This is a kid's book series? I can't imagine what kind of pale, boring, morose kids must dig this." - Devin Faraci of CHUD.com

Well, gee, ME for one. >:(
Also, if -for all it's sex and violence- the His Dark Materials series is a kid's book, then so is every other book where the protagonists *start out as* children. So I guess you can go read Lolita, kiddies. What an idjit. (I'm sorry, I read that article shortly before I wanted to post this feature and I just had to rant.)
Anyway, thanks to the title, there's not much left to explain here, I hope. Needless to say, this contains SPOILERS GALORE for both His Dark Materials and "Lost". Both series are wonderful and if you have not watched/read either of them, do so now. Then come back and read this.
As far as I know I'm the only one out there who sees these connections, which is weird cause I know that there are crazy "Lost" fans who want to sniff out every single possible cross-reference ever. I came up with a lot of these after rereading His Dark Materials (I started as soon as it was clear that the film adaptation was out of development limbo; I anticipate it with dread but that's irrelevant for now), and I finished the trilogy on a Wednesday. "Lost" night. And so, my fellow experimental theologians, similarities between His Dark Materials and "Lost":

Well, first, let's get the obvious stuff out of the way:
His Dark Materials: Polar Bears?
Lost: Polar Bears.

His Dark Materials: Science and faith?
Lost: Science and faith.

His Dark Materials: Brings together a disparate group of characters who find themselves in a strange conflict involving forces way beyond human understanding?
Lost: Brings together a disparate group of characters who find themselves in a strange conflict involving forces way beyond human understanding. We think.

Now, here's where things get interesting:
His Dark Materials: The main antagonists in the first book are the "Gobblers". They are a mysterious group of high-ranking people with shady intentions. The Gobblers are, by all evidence, in allegiance with a larger and far shadier organization. We do not learn much about them in the early chapters -- but we do know that they are obsessed with children…
Lost: The main antagonists in the second season are the "Others". They are a mysterious group of islanders with shady intentions. The Others are, by strong implication, in allegiance with a larger, far shadier organization. We don't know much about them by the end of Season Two -- but we do know that they are obsessed with children…

His Dark Materials: Very near the beginning of the first book, it is revealed that the Gobblers have kidnapped countless children. Lyra, the heroine of the trilogy, is stunned to learn that this includes her best friend, Roger.
Lost: By the end of the first season and the beginning of the second, it is revealed that the Others have kidnapped Rousseau's daughter Alex, Claire (who was pregnant with Aaron at the time), the children from the tail end, and Michael's son Walt.

His Dark Materials: The Gobblers operate from a remote location (near the Arctic Circle) which nonetheless has state-of-the-art facilities.
Lost: The Others operate from a remote location (Craphole Island) which nonetheless has state-of-the-art facilities.

His Dark Materials: Here's the kicker. When she meets one of the kidnapped children who has managed to escape, and when she is captured by the Gobblers shortly thereafter, Lyra learns firsthand the horrifying truth of what the Gobblers are up to. Basically, the Gobblers make the children take tests before performing bizarre and cruel experiments on them. It's implied that the point of some of these experiments is to harness a potential power that the children have…
Lost: Here's the kicker. When Michael sets out to rescue Walt, and is captured by the Others, he *sort of* learns firsthand what they're up to when he is allowed to talk with Walt. Walt is able to tell his father that the Others make him "take tests" before Ms. Clue tells him to shut up.
Furthermore, in the episode "Maternity Leave", it's very clear that the Others are performing some kind of bizarre experiments on Aaron before he is even born. A popular theory, backed up by some of the questions that Ms. Clue asks of Michael, has it that the Others are looking for the potential powers that "special" children have…

It really is the same story!
His Dark Materials: At one point, some of the characters must travel through a place that is very like Purgatory.
Lost: A commonly held, though long-dismissed, theory has it that Craphole Island is Purgatory.

His Dark Materials: A certain World in the Multiverse is inhabited by beings called Phantoms. Phantoms are very interested in adults' souls -- by all evidence they eat adult souls.
Lost: Craphole Island is home to a "monster" that looks like a great, dark phantom. "Smoky" seems to be very interested in the contents of peoples' heads -- as evidenced by it’s encounters with Mr. Eko and B'enry, it can basically "read" your soul.

His Dark Materials: In an incredibly sad scene, Lyra encounters Tony, a lost boy who she first takes to be a ghost.
Lost: In an incredibly creepy scene, Shannon sees the lost Walt as a sort of ghost.

His Dark Materials: Creepy Guy In A Boat - "HE (Pantalaimon) can't come."
Lost: Creepy Guy In A Boat - "We're gonna hafta take the boy (Walt)."

His Dark Materials: Climaxes with an epic, apocalyptic battle involving about a zillion characters which sets about several major shakeups in the foundations of the Multiverse.
Lost: Err, well, we still don't know what really happened during the season finale...

Related Links and Sources:
The Wikipedia entries for "Lost", and His Dark Materials are as good enough places as any to start.
"Lost" Fansites: The "Lost" Encyclopedia, Television Without Pity
His Dark Materials Fansites: HisDarkMaterials.org, The Bridge to the Stars
And more recently, This Article that popped up on the Entertainment Weekly website a little while ago and covers several of the more recent seasons. And which also recommends His Dark Materials to "Lost" followers. (As well as the "Matrix" trilogy, which I have just watched again recently and which plays quite differently in a "Lost" world. And I might talk much more about all this later... when I have something much better than a laptop keyboard to tpewith -- err, type with.)